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Hear the majesty and magic of Mozart’s final opera—a fantastical tale of mystery, adventure and love—distilled into this glowing overture.

This is the diamond in the crown of violin concertos, with sparkling melodies and quicksilver beauty in every bar. Simone Porter, only in her early 20s, has been hailed by the Los Angeles Times for playing that is “lovingly lyrical, occasionally frisky. She is clearly on the cusp of a major career.”

Bruckner was a church organist by day, but when he took up his composing pen at night, he opened a whole new world of orchestral splendor. His Sixth Symphony begins with violins playing so softly you may miss them; then, a mysterious horn call sounds, and suddenly the whole orchestra sweeps you away.

A daring 20th-century masterpiece! Revel in the sounds of the NJSO strings, accentuated by keyboard and percussion—writing so evocative that Stanley Kubrick famously used it in The Shining.

Critics of Tchaikovsky’s day crushed this new symphony (“a horde of demons struggling in a torrent of brandy,” wrote one), and even the composer said, “It is a failure.” But its hypnotic melodies and triumphant mood turned the Fifth into an audience favorite.

Brahms reimagined an old German hymn tune in eight different ways, then wove these variations together into one breathtaking showpiece.

With Nicholas McGegan at the harpsichord, NJSO Assistant Concertmaster Adriana Rosin pairs up with 2018 Sphinx Competition winner Rubén Rengel for dazzling Vivaldi.

2015 Sphinx Competition winner Eduardo Rios partners with newly named NJSO Assistant Principal Cello Na-Young Baek for Baroque fireworks in this virtuosic showpiece.

Both Sphinx winners and Rosin perform together in the give and take of Vivaldi’s brilliant melodies as if in sparkling conversation.

The program concludes with the sunniest of an often-stormy composer’s symphonies.

A journey from darkness to light, a powerful expression of freedom and a thrilling, virtuosic conclusion—this overture encapsulates everything we love about Beethoven in just over 10 minutes.

After making a splash for our celebration of Beethoven’s 250th birthday, artist-in-residence Louis Lortie returns to play Mozart’s most dramatic piano concerto—famous for its interplay of woodwinds and piano. After hearing Mozart’s concerto for the first time, Beethoven said, “We shall never be able to do anything like it!”

Based on a Hans Christian Andersen fairy tale, Stravinsky paid homage to Tchaikovsky with this delightful ballet music ful of spiky rhythms, graceful melodies and glittering orchestration.

This masterpiece from Bartók was banned after its first performance but is now recognized as one of the 20th century’s most thrilling and evocative examples of the power of a live orchestra—full of violence, love, horror and wonder.