Count Basie Center for the Arts in Red Bank
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Red Bank Saturday Evenings
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Saturday evenings at 8 pm
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Prokofiev’s Romeo and Juliet
2020 Winter Festival: In the Spotlight
XIAN ZHANG conductor
INON BARNATAN piano
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SMETANA “The Moldau” from Má vlast
Sail with us down a fabled river, lined on either side by castles and forests full of myth and mystery.
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CLARA SCHUMANN Piano Concerto (NJSO Premiere)
A great pianist, Clara Schumann composed this glittering and graceful concerto in her teens—a remarkable achievement.
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PROKOFIEV Selections from Romeo and Juliet
Xian has won acclaim in opera and ballet houses around the world; you’ll hear why in Prokofiev’s riveting ballet about Shakespeare’s doomed lovers.
Beethoven’s ‘Eroica’ Symphony
2019–20 Season—Beethoven’s Birthday Bash
XIAN ZHANG conductor
ROBERT WAGNER bassoon
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ROSSINI Overture to Guillaume Tell
Not just a curtain-raiser, the overture to Rossini’s 39th (!) and final opera, William Tell, is a full symphony in miniature.
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CHRISTOPHER ROUSE Bassoon Concerto (East-Coast Premiere and NJSO Co-Commission)
This lyrical new piece completes Christopher Rouse’s cycle of concertos for every wind instrument. The NJSO co-commissioned this work to celebrate the 40th anniversary of Principal Bassoon Robert Wagner, who has given so much to our organization on and off stage.
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BEETHOVEN Symphony No. 3, “Eroica”
With two thunderous opening chords, Beethoven unlocked a new world of music-making, and every performance of his “Eroica” sounds revolutionary.
Season Finale: Mozart’s Piano Concerto No. 24
2019–20 Season
XIAN ZHANG conductor
LOUIS LORTIE piano
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BEETHOVEN Overture to Fidelio
Beethoven took four tries at this overture for his only opera—hear the final result, which captures joy and triumph as only his music can.
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MOZART Piano Concerto No. 24
After making a splash for our celebration of Beethoven’s 250th birthday, artist-in-residence Louis Lortie returns to play Mozart’s most dramatic piano concerto—famous for its interplay of woodwinds and piano. After hearing Mozart’s concerto for the first time, Beethoven said, “We shall never be able to do anything like it!”
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STRAVINSKY Divertimento from The Fairy’s Kiss
Based on a Hans Christian Andersen fairy tale, Stravinsky paid homage to Tchaikovsky with this delightful ballet music ful of spiky rhythms, graceful melodies and glittering orchestration.
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BARTÓK Suite from The Miraculous Mandarin
This masterpiece from Bartók was banned after its first performance but is now recognized as one of the 20th century’s most thrilling and evocative examples of the power of a live orchestra—full of violence, love, horror and wonder.