Count Basie Center for the Arts in Red Bank
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Red Bank Saturday Evenings
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Saturday evenings at 8 pm
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Grieg’s Piano Concerto
MARKUS STENZ conductor
JUHO POHJONEN piano
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REBEL “Chaos” from Les élémens (NJSO Premiere)
Louis XIV’s favorite composer, Rebel stunned the king in the 1730s with this depiction of creation that incorporated harmonies 200 years ahead of their time.
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GRIEG Piano Concerto
Iconic opening chords herald an eternal favorite. Grieg poured the exquisite beauty of Norwegian fjords and folksongs into his only concerto.
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BRAHMS Symphony No. 2
Brahms’ symphonies are cherished for their expression of a profound depth of human feeling. His Second radiates warmth and joy, with soaring strings, singable melodies and a thrilling finale of blazing brass.
Prokofiev’s Romeo and Juliet
2020 Winter Festival: In the Spotlight
XIAN ZHANG conductor
INON BARNATAN piano
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SMETANA “The Moldau” from Má vlast
Sail with us down a fabled river, lined on either side by castles and forests full of myth and mystery.
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CLARA SCHUMANN Piano Concerto (NJSO Premiere)
A great pianist, Clara Schumann composed this glittering and graceful concerto in her teens—a remarkable achievement.
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PROKOFIEV Selections from Romeo and Juliet
Xian has won acclaim in opera and ballet houses around the world; you’ll hear why in Prokofiev’s riveting ballet about Shakespeare’s doomed lovers.
Beethoven’s ‘Eroica’ Symphony
2019–20 Season—Beethoven’s Birthday Bash
XIAN ZHANG conductor
ROBERT WAGNER bassoon
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ROSSINI Overture to Guillaume Tell
Not just a curtain-raiser, the overture to Rossini’s 39th (!) and final opera, William Tell, is a full symphony in miniature.
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CHRISTOPHER ROUSE Bassoon Concerto (East-Coast Premiere and NJSO Co-Commission)
This lyrical new piece completes Christopher Rouse’s cycle of concertos for every wind instrument. The NJSO co-commissioned this work to celebrate the 40th anniversary of Principal Bassoon Robert Wagner, who has given so much to our organization on and off stage.
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BEETHOVEN Symphony No. 3, “Eroica”
With two thunderous opening chords, Beethoven unlocked a new world of music-making, and every performance of his “Eroica” sounds revolutionary.
Season Finale: Mozart’s Piano Concerto No. 24
2019–20 Season
XIAN ZHANG conductor
LOUIS LORTIE piano
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BEETHOVEN Egmont Overture
A journey from darkness to light, a powerful expression of freedom and a thrilling, virtuosic conclusion—this overture encapsulates everything we love about Beethoven in just over 10 minutes.
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MOZART Piano Concerto No. 24
After making a splash for our celebration of Beethoven’s 250th birthday, artist-in-residence Louis Lortie returns to play Mozart’s most dramatic piano concerto—famous for its interplay of woodwinds and piano. After hearing Mozart’s concerto for the first time, Beethoven said, “We shall never be able to do anything like it!”
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STRAVINSKY Divertimento from The Fairy’s Kiss
Based on a Hans Christian Andersen fairy tale, Stravinsky paid homage to Tchaikovsky with this delightful ballet music ful of spiky rhythms, graceful melodies and glittering orchestration.
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BARTÓK Suite from The Miraculous Mandarin
This masterpiece from Bartók was banned after its first performance but is now recognized as one of the 20th century’s most thrilling and evocative examples of the power of a live orchestra—full of violence, love, horror and wonder.