NJPAC in Newark

A defining work in this Brooklyn-based composer’s career. Written for strings alone, this tender piece is the song of loss and memory for her mother.

Rachmaninoff wrote this concerto to showcase his exceptional talent and blindingly fast technique. It starts with a deceptively simple melody that every beginner can play, but it quickly becomes the Everest of all piano concertos—one that few soloists attempt to conquer.

Dvořák’s Eighth poured out of him while he was surrounded by the cherished Bohemian countryside that was his inspiration. Close your eyes and you’ll see the colors of autumn, awash in sunlight.

Hear the majesty and magic of Mozart’s final opera—a fantastical tale of mystery, adventure and love—distilled into this glowing overture.

This is the diamond in the crown of violin concertos, with sparkling melodies and quicksilver beauty in every bar. Simone Porter, only in her early 20s, has been hailed by the Los Angeles Times for playing that is “lovingly lyrical, occasionally frisky. She is clearly on the cusp of a major career.”

Bruckner was a church organist by day, but when he took up his composing pen at night, he opened a whole new world of orchestral splendor. His Sixth Symphony begins with violins playing so softly you may miss them; then, a mysterious horn call sounds, and suddenly the whole orchestra sweeps you away.

A journey from darkness to light, a powerful expression of freedom and a thrilling, virtuosic conclusion—this overture encapsulates everything we love about Beethoven in just over 10 minutes.

After making a splash for our celebration of Beethoven’s 250th birthday, artist-in-residence Louis Lortie returns to play Mozart’s most dramatic piano concerto—famous for its interplay of woodwinds and piano. After hearing Mozart’s concerto for the first time, Beethoven said, “We shall never be able to do anything like it!”

Based on a Hans Christian Andersen fairy tale, Stravinsky paid homage to Tchaikovsky with this delightful ballet music ful of spiky rhythms, graceful melodies and glittering orchestration.

This masterpiece from Bartók was banned after its first performance but is now recognized as one of the 20th century’s most thrilling and evocative examples of the power of a live orchestra—full of violence, love, horror and wonder.