NJPAC in Newark
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- NJPAC in Newark
- State Theatre New Jersey in New Brunswick
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- Classical
- Mayo Performing Arts Center in Morristown
- Classical
- Count Basie Center for the Arts in Red Bank
- Classical
Newark Series 5 - Saturday Evenings
Buy Series Renew SeriesSaturdays at 8 pm
New Jersey Performing Arts Center in Newark
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Ellington & Dvořák: New Worlds
Opening Weekend! New Jersey Symphony Classical
Robert Spano conductor
Aaron Diehl piano
Aaron Diehl Trio
New Jersey Symphony
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Valerie Coleman Umoja
Coleman starts the season with a whisper, then a gorgeous melody rises evoking the power and sweetness of Umoja, the Swahili word for unity. The whole orchestra takes it up and you’re on the edge of your seat with this joyous, full-throated cry for community.
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Still Out of the Silence
A wedding present for his bride, Still’s Out of the Silence, brought out of silence by Aaron Diehl and the New Jersey Symphony, is a gentle and ethereal little hymn written in the depths of the Great Depression. Still’s wife said of it: “Only in meditation does one discover beauties remote from the problems of Earth.”
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Ellington New World A-Comin’
Ellington created this lush musical portrait of a “new world where there would be no war, no greed—where love was unconditional.” What better way to start the season than with the Aaron Diehl Trio and the genius of jazz, Sir Duke!
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Dvořák Symphony No. 9, “From the New World”
A Czech visitor to America, Dvořák sought out and loved the songs of Indigenous and Black people. Blending their inspiration with his imagination, he created one of the most beloved concert works of all time.
Performed in Newark and New Brunswick
The American Dream
New Jersey Symphony Classical
Xian Zhang conductor
Rob Kapilow conductor (Jan 20 & 21 only)
JCC Young People’s Chorus @ Thurnauer | Emma Brondolo, artistic director (Jan 20 & 21 only)
Young People’s Chorus of New York City® | Francisco J. Núñez, artistic director and founder (Jan 20 & 21 only)
Ember Choral Arts | Deborah Simpkin King, artistic director (Jan 20 & 21 only)
New Jersey Symphony
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Still Darker America
Still wrote this in the 1920s to depict the struggles of his fellow African Americans, ultimately aiming to show “the triumph of a people over their sorrows through fervent prayer.” Tenderness and toughness mark this moving testament to resilience.
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Rob Kapilow We Came to America (World Premiere, Commissioned by the Thurnauer School of Music at the Kaplen JCC on the Palisades) (Jan 20 & 21 only)
In this nation of immigrants, we all have our stories. Inspired by in-depth source research, interviews with generations of immigrants, and melodies from many countries, composer Rob Kapilow has crafted an instant classic of compelling music for chorus and orchestra. The concert on January 18 does not include Rob Kapilow and his piece We Came to America.
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Bernstein Three Dance Episodes from On the Town
The musical that gave the world “New York, New York,” On the Town was a hit from its wartime premiere. The story of three sailors on leave in Manhattan is filled with Bernstein’s signature restless energy, and made huge waves of its own in the 1940s with a racially diverse cast.
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Bernstein Symphonic Dances from West Side Story
The tragedy of Shakespeare’s Romeo and Juliet set on Manhattan’s fire escapes and sidewalks. These Symphonic Dances from West Side Story are a fountain of songs you love, from “Tonight” to “Maria” and the manic shout of “Mambo!”
Performed in Newark and Morristown
Jeremy Denk, Anna Clyne, Beethoven’s “Eroica”
New Jersey Symphony Classical
Markus Stenz conductor
Jeremy Denk piano
New Jersey Symphony
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Berlioz Roman Carnival Overture
Berlioz exploded every idea of what an orchestra could do and be, and his Roman Carnival Overture was his calling card. It shows the New Jersey Symphony in all its full-throated glory.
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Anna Clyne ATLAS (New Jersey Symphony Co-Commission)
Having written for every top-flight orchestra in America, Anna Clyne’s latest is for us and with the extraordinary Jeremy Denk as soloist. Find out why The New York Times chose Anna Clyne for their feature “Five Minutes that Will Make You Love Classical Music.”
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Beethoven Symphony No. 3, “Eroica”
Fifty minutes that made Beethoven’s name. His Third was so bold and unconventional, that it still sounds new 200-plus years after its premiere.