New Jersey Symphony and Montclair State University Chorale perform Mozart’s final masterpiece
NEWARK, NJ—With just three programs remaining on the 2025–26 season, Music Director Xian Zhang conducts Wolfgang Amadeus Mozart’s Requiem, the composer’s final composition last performed by the New Jersey Symphony in 2018. Mysteriously commissioned and incomplete at the time of Mozart’s death, the Requiem is widely regarded as one of the composer’s most accomplished works. Written for a funeral Mass, the music is intensely emotional, ranging from powerful drama to languid sorrow to serene tenderness.
Four outstanding soloists appear onstage with the following 2025–26 highlights: soprano Mei Gui Zhang (San Francisco Opera, The Monkey King); mezzo-soprano Taylor Raven (English National Opera, Così fan tutte and LA Phil, Die Walküre); tenor Eric Ferring (Messiah with Charlotte and Knoxville Symphonies); and bass-baritone Dashon Burton (Cleveland Orchestra, Fidelio).
The program opens with Gabriel Fauré’s Pavane, getting its name from the Italian pavana, a short 16th-century court dance. Originally written for orchestra, the composer added an optional chorus so the work could be both danceable and singable. Gustav Mahler’s Songs of a Wayfarer also appears on the program—a cycle of songs written at a time when the composer was scorned by love and considered to be his first masterpiece. Bass-baritone Dashon Burton solos in the latter of the two pieces.
Performances take place on Thursday, April 16, at 1:30 pm and Saturday, April 18, at 7:30 pm at the New Jersey Performing Arts Center in Newark; and Sunday, April 19, at 2 pm at the State Theatre New Jersey in New Brunswick. The Thursday matinee will be a Relaxed Performance, designed to accommodate the differing needs of patrons of all abilities, including individuals with autism, sensory sensitivities, or cognitive and physical differences. The Saturday evening performance includes a Concert Prelude at 6:30 pm featuring the New Jersey Symphony Youth Orchestra’s Curtland E. Fields Ensemble.
Mozart’s Requiem
Thursday, April 16, 1:30 pm | New Jersey Performing Arts Center in Newark
Saturday, April 18, 7:30 pm | New Jersey Performing Arts Center in Newark
Sunday, April 19, 2 pm | State Theatre New Jersey in New Brunswick
Xian Zhang conductor
Mei Gui Zhang soprano
Taylor Raven mezzo-soprano
Eric Ferring tenor
Dashon Burton bass-baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
Gabriel Fauré Pavane
Gustav Mahler Songs of a Wayfarer
Wolfgang Amadeus Mozart Requiem
Tickets are available at njsymphony.org.
The April 16 Relaxed Performance is promoted in partnership with Best Buddies New Jersey and the John J. Cali School of Music at Montclair State University.
The April 18 performance is presented in collaboration with the New Jersey Performing Arts Center.
Xian Zhang
2025–26 marks the GRAMMY and Emmy Award-winning conductor Xian Zhang’s 10th season as Music Director of the New Jersey Symphony, and her inaugural season as the Music Director of the Seattle Symphony with whom she has been a long-term collaborator since her debut in 2008. Zhang has also been appointed Principal Guest Conductor of the NCPA Orchestra in Beijing, beginning this season. Following her tenure as Music Director of Orchestra Sinfonica di Milano between 2009–16, she continues as their Conductor Emeritus.
With the New Jersey Symphony, Zhang has commissioned composers such as Wynton Marsalis, Jessie Montgomery, Qigang Chen, Chen Yi, Steven Mackey, Thomas Adès, Daniel Bernard Roumain, Christopher Rouse, Vivian Li, Gary Morgan, Christian McBride, Paquito D’Rivera, and Allison Loggins-Hull. She is also responsible for introducing their annual Lunar New Year celebration. Under her artistic leadership, the New Jersey Symphony won two awards at the mid-Atlantic Emmy Awards in 2022 for their concert films, including EMERGE which was conducted by Xian Zhang, directed by Yuri Alves and co-produced with DreamPlay Films.
As a guest conductor, Zhang appears regularly with the Los Angeles Philharmonic and The Philadelphia Orchestra. Her Deutsche Grammophon recording with the latter (Letters for the Future with Time For Three, released 2022) won GRAMMY awards for Best Contemporary Classical Composition (Kevin Puts’ Contact) and Best Classical Instrumental Solo.
2025–26 highlights include returns to The Philadelphia Orchestra, New York Philharmonic, St. Louis Symphony, and National Arts Centre Ottawa. In Europe, she returns to Netherlands Radio Philharmonic with a performance at the Amsterdam Concertgebouw, and makes her debut at the Finnish National Opera conducting Tosca. This follows her huge success at the Metropolitan Opera in New York, where she recently conducted Madama Butterfly and Tosca to great acclaim:
“The success of Kurzak’s performance was due in no small part to Xian Zhang’s sensitivity as a conductor. Zhang has an exceptional ear for balance, as well as the ability to draw the softest, most transparent tones imaginable from the orchestra. […] With such skills and obvious audience appeal, Zhang should prove a valuable addition to the Met’s conducting staff.” – New York Classical Review
Other recent highlights include subscription programs with the Boston Symphony Orchestra, London Symphony Orchestra, Orquestra Sinfônica do Estado de São Paulo, Houston Symphony, San Francisco Symphony, Washington’s National Symphony Orchestra, Montreal Symphony, Baltimore Symphony, Orchestra of St. Luke’s (including Brahms Requiem at Carnegie Hall), and Orchestre National du Capitole de Toulouse.
Zhang previously served as Principal Guest Conductor of the Melbourne Symphony Orchestra and BBC National Orchestra & Chorus of Wales, the first female conductor to hold a titled role with a BBC orchestra. In 2002, she won first prize in the Maazel-Vilar Conductor's Competition. She was appointed New York Philharmonic’s Assistant Conductor in 2002, subsequently becoming their Associate Conductor and the first holder of the Arturo Toscanini Chair.
Mei Gui Zhang
Chinese soprano Mei Gui Zhang, whose “voice literally floated past the space she stood in and “lived in” and created remarkable, layered beauty” (OperaWire), is enjoying a burgeoning international career.
In the 2025–26 season, Ms. Zhang returns to San Francisco Opera for the world premiere of Huang Ruo and David Henry Hwang’s The Monkey King in the role of Guanyin. In concert, she will sing French arias with Xu Zhong and the Paris Philharmonic, Beethoven’s Symphony No. 9 and “Ah! Perfido” with Eun Sun Kim and the Minnesota Orchestra, and two projects with Xian Zhang, the first with the Seattle Symphony with Qigang Chen in Iris Unveiled, and Mozart’s Requiem with the New Jersey Symphony. Finally, Mei Gui Zhang will sing Mozart’s Mass in C Minor with the North Carolina Symphony.
In the 2024–25 season, Ms. Zhang debuted the role of Oscar in Un ballo in maschera with the San Francisco Opera, sang Barbarina in Le nozze di Figaro at The Metropolitan Opera, Pamina in Die Zauberflöte with the Atlanta Opera and Opera Carolina, and Susanna in Le nozze di Figaro with the National Centre for the Performing Arts in Beijing; and in concert, she performed in C.P.E. Bach’s Die Auferstehung und Himmelfahrt Jesu with the American Symphony Orchestra at Carnegie Hall and Mahler’s Symphony No. 4 with the Allentown Symphony.
Highly regarded for her interpretations of Mozart’s works, Mei Gui Zhang has appeared as Zerlina in Don Giovanni with the Atlanta Opera, LA Opera, Opéra National de Bordeaux, and Guangzhou Opera House; Despina in Così fan tutte with the Boston Symphony at Tanglewood, and Ilia in Idomeneo (cover) with The Metropolitan Opera. At the Verbier Festival, where she was a Laureate of the 2019 Prix Yves Paternot, Ms. Zhang was seen as Pamina and Barbarina. She has also been a featured soloist in Mozart’s Requiem with the North Carolina Symphony and Mozart’s Exsultate, jubilate with the New Jersey Symphony.
Mei Gui Zhang made her triumphant Carnegie Hall debut in 2023, joining The Philadelphia Orchestra in J.L. Adams’ Vespers of the Blessed Earth and later reprised the performance at the Saratoga Performing Arts Center. In the following season, Ms. Zhang debuted with the Chamber Music Society of Lincoln Center in Fauré’s La Bonne Chanson, the Real Orquesta Sinfónica de Sevilla for Canteloube’s Chants d’Auvergne, Fort Worth Opera as Musetta in La bohème, and the title role in Roméo et Juliette at the National Centre for the Performing Arts in Beijing.
Previous seasons sparkled with notable performances at esteemed venues, including her debut as Euridice in San Francisco Opera’s Orfeo ed Euridice opposite countertenor Jakub Józef Orliński; and her “energetic, bright-voiced Thibault” in Sir David McVicar’s Don Carlos under the baton of Yannick Nézet-Séguin at The Metropolitan Opera. Ms. Zhang has also performed with The Philadelphia Orchestra in L’enfant et les sortilèges, Tianjin Grand Opera in The Rape of Lucretia (Lucia), and Harbin Symphony Orchestra in Fidelio (Marzelline).
Ms. Zhang’s connection to her cultural roots is a hallmark of her career: she brings to life rarely performed works by Chinese composers, offering audiences a fresh perspective that intertwines her rich heritage with her operatic prowess. These works have brought her to prominent stages worldwide, including the world premiere performance of Aaron Zigman & Mark Campbell’s Émigré with the New York Philharmonic and Shanghai Symphony, recorded with Deutsche Grammophon; and her debut as the lead role Dai Yu in Bright Sheng’s The Dream of the Red Chamber with San Francisco Opera.
As a concert soloist, Mei Gui Zhang has performed throughout China in Mahler’s Symphony No. 4 with the Sichuan Symphony Orchestra, Beethoven’s Symphony No. 9 at the National Centre for the Performing Arts in Beijing, and concerts with both the Xi’an and Shenzhen Symphony Orchestras. She performed Beethoven’s Missa Solemnis with Bard College, Bruckner’s Te Deum with the New Jersey Symphony, Bach’s “Coffee Cantata” with the Music@Menlo Chamber Music Festival, and solo recitals with pianist Ken Noda at Lincoln Center’s Bruno Walter Auditorium, Miami’s Wertheim Performing Arts Center, and on tour in China in a program entitled From West to East.
As a member of the Lindemann Young Artists Development Program at The Metropolitan Opera, Mei Gui Zhang made her debut as the Bloody Child in Macbeth, and at San Francisco Opera’s Merola Opera Program, she performed Anne Trulove in The Rake’s Progress. Ms. Zhang represented China in the 2023 BBC Cardiff Singer of the World Competition. She was a finalist in the 2019 Queen Sonja International Music Competition; took second place at the 2020 Opera Index Competition; and won the Audience Prize at the 2020 Glyndebourne Opera Cup.
Taylor Raven
Taylor Raven is a “vocal sensation” (Washington Classical Review) and quickly establishing herself in opera, concert, and recital. In the 2025–26 season, Taylor will make her house debut with the English National Opera for Così fan tutte (Dorabella) and returns to the LA Phil for a staged production of Die Walküre (Grimgerde). Highlights on the concert stage include returns to the Cleveland Orchestra and Minnesota Orchestra for Beethoven’s Symphony No. 9, the New Jersey Symphony for Mozart’s Requiem, and her debuts with the North Carolina Symphony for Handel’s Messiah and Opera Omaha for their annual Opera Outdoors concert.
Last season, Taylor debuted with The Metropolitan Opera in the company premiere of John Adams’ Antony and Cleopatra (Charmian) and with Pacific Opera Victoria for La clemenza di Tito (Sesto). On the concert stage, she debuted with the Minnesota Orchestra for Mozart’s Requiem, Duisburger Philharmoniker for Julia Perry’s Stabat Mater, The US Naval Academy for Handel’s Messiah, the Buffalo Philharmonic for Moravec’s Sanctuary Road, and the Quad City Symphony Orchestra for Giddens’ Omar’s Journey (Fatima). In recital, Taylor debuted with the Northwest Sinfonietta performing Jessie Montgomery’s Five Freedom Songs and made her New York City solo recital debut with the Kaufmann Music Center. Additional appearances included a return to the North Carolina Opera for their Opera in the Park series and a debut with the Bard Music Festival in various recitals, and Martinů’s Julietta with the American Symphony Orchestra conducted by Leon Botstein.
Taylor began her 2023–24 season with a return to the San Francisco Opera for a role debut as Fatima in Rhiannon Giddens and Michael Abels’ Omar. Other season highlights included returns to the Seattle Opera for Il barbiere di Siviglia (Rosina) and the LA Phil for a fully staged production of Das Rheingold (Flosshilde) with scenic design by Frank Gehry, conducted by Gustavo Dudamel. On the concert stage, she debuted with the Colorado Symphony for Beethoven’s Symphony No. 9 conducted by Marin Alsop and the Memphis Symphony for Handel’s Messiah.
Ms. Raven made her debut at the San Francisco Opera for a trio of operas including the world premiere of John Adams’ new opera Antony and Cleopatra (Charmian), Dialogues des Carmélites (Sister Mathilde), and La traviata (Flora). Other highlights included debuts with the Kentucky Opera for La Cenerentola (Angelina), and the Chicago Opera Theater for The Life and Death(s) of Alan Turing (Joan Clarke) and a return to the Des Moines Metro Opera for the title role in Carmen. On the concert stage, she made her debut with The Cleveland Orchestra for La fanciulla del West (Wowkle), conducted by Franz Welser-Möst.
Recent engagements include debuts with the Houston Grand Opera for Die Zauberflöte (Dritte Dame), the Washington Concert Opera for Lakmé (Mallika), and the North Carolina Opera for Moravec’s Sanctuary Road. On the concert stage, she made debuts with the Dallas Symphony Orchestra, Baltimore Symphony Orchestra, Orchestra Iowa, and returned to the LA Phil.
She is a graduate of the Young Artist Program at the LA Opera where she was seen in La clemenza di Tito (Annio), Don Carlo (Tebaldo), the Kosky production of Die Zauberflöte (Zweite Dame) conducted by James Conlon, and Hansel and Gretel (Sandman). Taylor made her LA Phil debut as a soloist in the Hollywood Bowl performance of Beethoven’s Choral Fantasy with Bramwell Tovey and made her debut with the Seattle Opera in As One (Hannah After). She appeared with the New West Symphony in Prokofiev’s Alexander Nevsky under Mikhail Agrest and made her Cincinnati Symphony Orchestra debut as a soloist in Mahler’s Das Klagende Lied with James Conlon as a part of their May Festival.
Taylor holds degrees from the University of North Carolina-Chapel Hill and the University of Colorado-Boulder.
Eric Ferring
Emmy-winning, Billboard-charting American tenor Eric Ferring is known internationally as “a prodigiously gifted lyric tenor” (Opera News) for his “fine, gleaming tenor” (New York Classical Review), as well as for having “a beautifully round and warm timbre, expressive, and with great finesse” (Olyrix). His expertise ranges from early bel canto repertoire and the music of Handel and Mozart to the origination of contemporary operatic roles.
Ferring’s 2025–26 season includes return performances with Art Song Chicago, Tampa Oratorio Singers (Elijah), as well as debuts with the Knoxville Symphony (Messiah), Charlotte Symphony (Messiah), New Jersey Symphony (Mozart’s Requiem), Opera Carolina (Rinuccio, Gianni Schicchi), and the Umeri Choir (Mozart’s Missa brevis in F Major). Ferring will also record his third solo album in 2026 and will release it with Lexicon Classics.
Ferring’s 2024–25 season includes performances with conductor Emmanuelle Haïm and her ensemble Le Concert d'Astrée, for a program of Rameau and Handel in Paris’ Opéra de Lille and at the LA Phil (debut). He also sang Beethoven’s 9th Symphony with the Portland Orchestra, Handel’s Messiah with the Evansville Philharmonic, and Mozart’s Requiem with the North Carolina Symphony. In New York City, he joined the Festival Orchestra of Lincoln Center (formerly Mostly Mozart), to perform Gomatz in Act 1 of Mozart's Zaide, conducted by Dame Jane Glover. With Haymarket Opera, he performed the role of Artabano in Hasse’s Artaserse, which is also being released on Cedille Records in 2026, and sang Oronte in Handel’s Alcina with the company at The Ravinia Festival.
The 2023–24 season featured Eric’s house debut with Opéra de Lille as Don Ottavio in a new production of Don Giovanni, a role he also sang in concert for his return to Opéra de Rouen. He made his debuts with the Seattle Symphony for Handel's Messiah, the Insula Orchestra in Paris, France for Mozart’s Requiem, and with The English Concert, Mr. Ferring made his role and orchestra debut as Grimoaldo in Rodelinda on a multi-continent tour conducted by Harry Bicket. Previous notable engagements include his principal role debut at Lyric Opera of Chicago as Lurcanio in Ariodante, a role he also performed for his Opéra de Paris debut in a new Robert Carsen production. With The Metropolitan Opera, he has bowed as Arturo in a new production of Lucia di Lammermoor, Tamino in The Magic Flute, and Pong in Turandot. He has sung Fenton in Falstaff with the Santa Fe Opera, Tamino in Die Zauberflöte with Opéra national du Rhin and the Verbier Festival, and Lysander in A Midsummer Night’s Dream with Opéra de Rouen.
With the Pittsburgh Opera, he appeared as The Protagonist in the world premiere of the one-man opera Ashes & Snow in collaboration with American Opera Projects, bowed as Nemorino in a student matinee performance of in L’elisir d’amore, and sang Ricky in The Long Walk and Señor Alcalde in the world premiere of The Summer King. In concert, he performed in Beethoven’s Symphony No. 9 with Spoleto Festival USA and Handel’s Messiah with the Jacksonville Symphony.
In 2022, he released his solo debut album No Choice but Love with Lexicon Classics, which showcased works by LGBTQIA+ composers. This was followed by 2023’s We Have Tomorrow, featuring pianist Madeline Slettedahl and French string quartet, Quatuor Agate, and recorded under the Delos label.
Eric Ferring was an Apprentice Singer at the Santa Fe Opera, where he was awarded the 2017 Richard Tucker Memorial Scholarship. He also participated in the Académie du Festival d’Aix-en-Provence, Opera Theatre of Saint Louis’ Gerdine Young Artist Program, receiving a career award from the Richard Gaddes Fund for Young Artists, and was a Studio Artist at Wolf Trap Opera. Ferring’s numerous awards include top prizes at many competitions including the George London Foundation for Singers, Glyndebourne Opera Cup, Gerda Lissner Foundation International Voice Competition, American Opera Society of Chicago, the National Society of Arts and Letters, the Metropolitan Opera Laffont Competition, as well as grants and awards from the Richard Tucker Foundation, Sullivan Foundation, Santa Fe Opera, and Opera Theatre of Saint Louis.
He is a native of Dubuque, Iowa and graduated from Drake University with his Bachelor of Music in Vocal Performance and The Boston Conservatory with his Master of Music in Opera Performance. Ferring is a graduate of the Lyric Opera of Chicago’s Ryan Opera Center and the Pittsburgh Opera Resident Artist Program. Ferring is also an Assistant Regional Director at the American Guild of Musical Artists (AGMA), the Executive Director of Art Song Chicago, and Project Curator for Lexicon Classics.
Dashon Burton
Hailed as an artist “alight with the spirit of the music” (Boston Globe), three-time GRAMMY Award-winning bass-baritone Dashon Burton has built a vibrant career with regular appearances across the US and Europe.
His 2025–26 season highlights include Beethoven’s Symphony No. 9 and Don Fernando in Fidelio with the Cleveland Orchestra led by Franz Welser-Möst; Mahler’s Songs of a Wayfarer and Mozart’s Requiem with the New Jersey Symphony under Xian Zhang; Beethoven’s Symphony No. 9 with the Grand Rapids Symphony and Marcelo Lehninger; Britten’s War Requiem with the Erie Philharmonic and Daniel Meyer; and Rossini’s Petite messe solennelle with the Cincinnati May Festival.
Recent highlights include Beethoven’s Symphony No. 9 with the LA Phil and Gustavo Dudamel at the Hollywood Bowl; Brahms’ Serious Songs (arr. Glanert) and Mozart’s Requiem with the St. Louis Symphony under Stéphane Denève, Mozart’s Requiem with the Minnesota Orchestra and Thomas Søndergård; and a role as Artist-in-Residence with the Milwaukee Symphony, which included Mahler’s Lieder eines fahrenden Gesellen and Bach’s Ich habe genug, both conducted by Ken-David Masur. He has collaborated regularly with Michael Tilson Thomas, singing performances of Beethoven’s Symphony No. 9 with the San Francisco Symphony, Copland’s Old American Songs, and MTT’s own Walt Whitman Songs with the Boston and San Francisco Symphony orchestras. Highly regarded as a Baroque specialist, his performances of Handel’s Messiah have included the National Symphony, the St. Paul Chamber Orchestra, and the Philadelphia Orchestra.
A multiple award-winning singer, Burton won a GRAMMY in 2021 for Best Classical Solo Vocal Album with Dame Ethyl Smyth’s The Prison with The Experiential Orchestra (Chandos). As a founding member of the groundbreaking vocal ensemble Roomful of Teeth, he received his first GRAMMY in 2013 for their debut recording of new commissions, and his third in 2024 for Rough Magic, featuring works by Caroline Shaw, William Brittelle, Peter Shin, and Eve Beglarian.
His discography also includes Songs of Struggle & Redemption: We Shall Overcome (Acis), Paul Moravec’s Sanctuary Road (Naxos), Lori Laitman’s Holocaust 1944 (Acis), and Caroline Shaw’s The Listeners with the Philharmonia Baroque Orchestra. His album of spirituals was praised by The New York Times as “profoundly moving … a beautiful and lovable disc.”
Burton holds a Bachelor of Music degree from Oberlin College and Conservatory and a Master of Music degree from Yale University’s Institute of Sacred Music. He is currently an Assistant Professor of Voice at Vanderbilt University’s Blair School of Music.
Montclair State University Chorale
Under the direction of Australian-born conductor Heather J. Buchanan since September 2003, the Montclair State University choral program has been recognized for successful collaborations with world-renowned artists and celebrated professional musicians in national and international venues, including Meredith Monk, Richard Alston Dance Company (UK), VOCES8 (UK), and Eric Whitacre. Montclair choirs appear regularly with the New Jersey Symphony and have won critical acclaim for their “heartfelt conviction,” “and vibrant sound,” being a “marvel of diction, tuning, and rhythm,” “eloquence,” and for singing with the “crispness and dexterity of a professional choir.” Pianist Gregory Stout is the Montclair choral accompanist.
The core choral ensemble in the Cali School of Music, Chorale is a 150-voice symphonic choir comprising music students majoring in performance, music education, music therapy, composition, jazz, and musical theatre, as well as auditioned non-music majors. With a focus on masterworks, recent season highlights include Beethoven’s Ninth Symphony (with the MSU Symphony Orchestra/Ritenauer and the New Jersey Symphony/Zhang) and Orff’s Carmina Burana and Fauré’s Requiem with the New Jersey Symphony, as well as Immersive Residency performances of Cloudburst (Eric Whitacre) and A Silence Haunts Me (Jake Runestad). The 2021-22 season featured two regional premieres by living composers: the breath of life (Dan Forrest) and Circlesong (Bob Chilcott), integrating multi-media and live dance elements.
Established in 1908, Montclair State is a Research Doctoral Institution ranked in the top tier of national universities, with 13 degree-granting colleges/schools serving more than 24,000 undergraduate and graduate students. At Montclair’s John J. Cali School of Music, students study with a world-class faculty drawn from the finest musicians and scholars in the New York metropolitan area and beyond. Professor of Music and Director of Choral Activities Dr. Heather J. Buchanan holds degrees from the University of New England (Australia), Westminster Choir College of Rider University (US), and the Queensland Conservatorium at Griffith University (Australia), and is a Licensed Body Mapping Educator. A vibrant teacher, dynamic performer, and passionate health advocate for musicians, she is in demand as a guest conductor, somatic educator, and choral clinician in the US and abroad.
New Jersey Symphony
The New Jersey Symphony is a GRAMMY and Emmy Award-winning orchestra. Under the direction of the Music Director Xian Zhang, the Symphony performs more than 55 concerts at mainstage venues across the state, including Newark, Princeton, New Brunswick, Red Bank and Morristown as well as schools and public spaces statewide. Programming at the Symphony reflects an unwavering commitment to diversity, equity and inclusion while providing students across the state unparalleled opportunities to achieve musical excellence through its Youth Orchestra and other outreach programs. In 2024, the Symphony announced it would continue to deliver its statewide activities from a new, permanent office, rehearsal and concert space in Jersey City, set to open in 2027.
For more information about the New Jersey Symphony, visit njsymphony.org or email information@njsymphony.org. Tickets are available for purchase by phone 1.800.ALLEGRO (255.3476) or on the Orchestra's website.
Press contact
Geoffrey Anderson, New Jersey Symphony, Vice President of Marketing & External Affairs
973.735.1713 | ganderson@njsymphony.org
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