Events & Tickets

Written during the horrors World War I, Ravel’s Le Tombeau de Couperin is a bright reflection on lives lost during the war, with each movement dedicated to a friend who passed. The composer draws on the woodwind section—particularly the oboe—to tell these stories.

George Walker—a longtime Montclair resident—was among the greatest composers to call the Garden State home, and in 1996, he became the first African American to win the Pulitzer Prize in Music. It was this passionate work for soprano and orchestra that garnered him that grand distinction.

This divine choral-orchestral masterpiece focuses Fauré’s view on the acceptance of a peaceful death. Conductor Eric Jacobsen joins the Symphony to lead this exquisite work.

Coleman starts the season with a whisper, then a gorgeous melody rises evoking the power and sweetness of Umoja, the Swahili word for unity. The whole orchestra takes it up and you’re on the edge of your seat with this joyous, full-throated cry for community.

A wedding present for his bride, Still’s Out of the Silence, brought out of silence by Aaron Diehl and the New Jersey Symphony, is a gentle and ethereal little hymn written in the depths of the Great Depression. Still’s wife said of it: “Only in meditation does one discover beauties remote from the problems of Earth.”

Ellington created this lush musical portrait of a “new world where there would be no war, no greed—where love was unconditional.” What better way to start the season than with the Aaron Diehl Trio and the genius of jazz, Sir Duke!

A Czech visitor to America, Dvořák sought out and loved the songs of Indigenous and Black people. Blending their inspiration with his imagination, he created one of the most beloved concert works of all time.

When needing an example of “genius,” look no further than this astounding product of a 17-year-old boy. Here are the lovers, the silliness and the quicksilver humor of Shakespeare’s comedy delivered in a dozen minutes of utter brilliance.

The violin leads the drama from the first bar of Mendelssohn’s masterpiece, but here too are moments of hold-your-breath beauty. These shimmer like moonlight on water when played by Joshua Bell, one of the world’s finest violinists.

He could stir up musical storm clouds like a god, but Beethoven also could part them to let the most brilliant sunlight warm the soul. The Fourth is the composer at his sunniest, and Joshua Bell, violin still in hand, leads the New Jersey Symphony from the concertmaster’s seat.

Reena Esmail’s wildly colorful overture RE|Member came to life during the pandemic. What a joy, as it celebrates the regathering of musicians and has a fun bit of stage wizardry for oboe.

In the days right after World War II, with his beloved German homeland in rubble, many thought Richard Strauss’ composing pen had dried up. What a surprise when he created this gorgeous masterpiece for oboe, played here by our magnificent principal Robert Ingliss.

Every mood and movement of the seasons is here, from sticky summer heat to slip-slidin’ on winter’s ice. Concertmaster Eric Wyrick’s virtuoso violin shines throughout.

Blend Brazilian soul with Bach’s inspiration and you have this gorgeous 15-minute mini-symphony, Villa-Lobos’ joyous homage to his beautiful South American home.

Famed for her one-of-a-kind technique and stunning jazzy improvisations as encores, Montero puts it all together in her First Concerto, filled with Venezuelan heart and get-on-your-feet dance.

A Frenchman obsessed with Spain, Bizet brought the smoldering Spanish anti-heroine Carmen to life for the stage and the opera world was never the same. One instantly recognizable tune follows another in this brilliant orchestral suite crafted from the opera.