NJPAC in Newark

The BBC called Jessie Montgomery “one of the most distinctive and communicative voices in the U.S.,” and the New Jersey Symphony gives the East Coast debut of her new work, Snapshots.

Heart-on-sleeve music, one gorgeous melody after another soaring from Sterling Elliott’s cello. The New Jersey Symphony backs him up with Schumann’s richest Romantic harmonies.

Edward Elgar loved to spend his evenings bashing away at his upright piano, chomping on a cigar, making up tunes. This is how he created a kaleidoscopic set of variations on a mysterious melody—all of which made him a household name across the land.

Still wrote this in the 1920s to depict the struggles of his fellow African Americans, ultimately aiming to show “the triumph of a people over their sorrows through fervent prayer.” Tenderness and toughness mark this moving testament to resilience.

In this nation of immigrants, we all have our stories. Inspired by in-depth source research, interviews with generations of immigrants, and melodies from many countries, composer Rob Kapilow has crafted an instant classic of compelling music for chorus and orchestra. The concert on January 18 does not include Rob Kapilow and his piece We Came to America.

The musical that gave the world “New York, New York,” On the Town was a hit from its wartime premiere. The story of three sailors on leave in Manhattan is filled with Bernstein’s signature restless energy, and made huge waves of its own in the 1940s with a racially diverse cast.

The tragedy of Shakespeare’s Romeo and Juliet set on Manhattan’s fire escapes and sidewalks. These Symphonic Dances from West Side Story are a fountain of songs you love, from “Tonight” to “Maria” and the manic shout of “Mambo!”

The New Jersey Symphony premiered this fantastic music in 2000, catching Ludwig at the launch of a career that now finds him Dean of Juilliard. Hear again, or for the first time, the promise of a young artist in full command of a virtuoso orchestra.

You can say you heard him when, because young pianist Tom Borrow has been named “the very definition of ‘one to watch’” (International Piano). He brings his jaw-dropping technique and poet’s soul to Mozart’s most dramatic concerto.

Brass choruses will make the hall ring in this most beloved of Tchaikovsky’s six symphonies. The composer wrestled with fate in his Fifth, and filled it from start to finish with musical electricity and hope.